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Erica Hunt


    1996, 56 pages

    ISBN 0-932716-39-3

    Special limited edition with woodcuts signed by artist Alison Saar




    This exciting collaboration brings together two major African American artists, poet Erica Hunt and visual artist Alison Saar. Erica Hunt takes in the sprawl and spectacle of New York and translates it into poetry that is urgent, ironic, and tender.


    Erica Hunt is a poet and essayist, author of Local History, Arcade, Piece Logic, Veronica: A Suite in X Parts, and Jump the Clock: New and Selected Poems. Her poems and essays have appeared in BOMB, Boundary 2, Brooklyn Rail, The Los Angeles Review of Books, Poetics Journal, Tripwire, Recluse, In the American Tree, and Conjunctions. With Dawn Lundy Martin, Hunt is the editor of an anthology of new writing by Black women, Letters to the Future. Hunt has received awards from the Foundation for Contemporary Art, the Fund for Poetry, and the Djerassi Foundation and is a past fellow of Duke University/University of Capetown Program in Public Policy. She teaches at Brown University.


    Alison Saar is a contemporary American artist who addresses ideas of race, gender, culture, spirituality, and humanity through her figurative sculptures and paintings. Born on February 5, 1956 in Los Angeles, CA, Saar earned a BA from Scripps College in 1978 and an MFA three years later from the Otis Art Institute (now Otis College of Art and Design). Though primarily a sculptor employing a variety of materials—wood, glass, metal, and found objects—the artist also creates prints and illustrations that explore themes similar to those expressed by her three-dimensional bodies. A recipient of the John Simon Guggenheim Memorial Foundation and Joan Mitchell Foundation Fellowships, Saar currently lives and works in Los Angeles, CA. Her work can be found in the collections of the Walker Institute in Minneapolis, the Whitney Museum of American Art in New York, and the High Museum in Atlanta, among others.

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